| 2022 | Premio arte, curated by Cairo Editore, Palazzo Reale, Milan, Italy |
| Exibart Prize 2021, curated by Exibart Edizioni, Rome, Italy |
| Fuochi, Italian Institute of Culture, Prague, Czech Repubblic |
| Lezione aperta, curated by Marcella Vanzo, supported by Zona K, Gabi Scardi, Paola Clerico and Matteo Bergamini, Milan, Italy |
| Visione (S)velate, VIR Viafarini-in-residence, curated by Elena Bray, Milan, Italy |
| Viafarini Open Studio, VIR Viafarini-in-residence, curated by Giulio Verago, Milan, Italy |
| 2021 | In-edita 2, Fondazione Bevilacqua La Masa, project coordinated by Galerie Alberta, IKONA VENEZIA and Marina Bastianello |
| Viafarini Open Studio, VIR Viafarini-in-residence, curated by Giulio Verago, Milan, Italy |
| Artkeys Prize, Angioino – Aragonese Castle, Agropoli (SA), Italy |
| See you tomorrow, curated by the curatorial collective a.topos, Palazzo Donà Brusa, Venice, Italy |
| Lasciare il segno, Galleria 28, curated by Mariella Filippi, Luino (VA), Italy |
| Chaos/Kosmos, Santa Maria in Campitelli, curated by Paulina Grubiak, Rome, Italy |
| Mediterranean Contemporary Art Prize, curated by Donato Faruolo, Castello di Monteserico, Genzano di Lucania (PZ), Italy |
| Premio Cramum, Villa Mirabello, curated by Sabino Maria Frassà, Milan, Ita |
| Premio Fregellae. La piccola scultura, Middle Ages Tower, curated by Ilaria Monti, Ceprano (FR), Italy |
| Genesi, curated by Giuditta Nidiaci, Galleria Borghini Arte Contemporanea, Rome, Italy |
| Miscellanea, curated by Galleria Vittoria, Roma Smistamento, Rome, Italy |
| Chaos/Cosmos, curated by Paulina Grubiak, Galeria Elektor, Warsaw, Poland |
| Mellone Art prize, curated by di Manuel Zoia, Fondazione Dario Mellone, Busto Garolfo (MI), Italy |
| 2020 | Fregellae Sculpture Prize, archeological park of Fregellae, Ceprano (FR), Italy |
| Air Land 3.0 INSIDE LAND, association Quasi Quadro, Barge, (CN), Italy |
| Arts in Rome Prize, gallery Spazio Cima, Rome, Italy |
| #DomaniInArte, Galleria d’Arte Moderna di Roma Capitale, promoted by dall’Assessorato alla Crescita culturale – Sovrintendenza Capitolina ai Beni Culturali, Rome, Italy |
| Weir Gabbioneta Award, Museo Studio Francesco Messina, Milan, curated by Angela Madesani, Italy |
| MalamegiLab 15 Art Prize, Malamegi, Udine, Italy |
| 2019 | Artrooms Awards, curated by Cristina Antonini Cellini, London, United Kingdom |
| Localities, curated by World of Co, Sofia, Bulgaria |
| Dangerous kindness, curated by Roberta Melasecca, Rome Art Week, Rome , Italy |
| Cortemilia in mostra, curated by Valeria Guglielmi, Cortemilia, Cuneo, Italy |
| On Stage Project, curated by Roberta Melasecca, Esponceda Center for Art and Culture, Barcelona, Spain |
| GIFA, International Foundry Trade Fair, curated by Amafond, Düsseldorf, Germany |
| Fluttuazioni, bipersonal curated by Giuditta Elettra Lavinia Nidiaci, Galleria Borghini Arte Contemporanea, Rome, Italy |
| Rospigliosi Art Prize, “Visibile Invisibile”, 2nd edition, Palazzo Rospigliosi, Rome, Italy |
| Divenire, Divenire, curated by Giuditta Nidiaci, Spazio Arte T24, Santa Maria in Campitelli, Rome, Italy |
| 2018 | Vittorio Viviani Prize, 18th edition, Libera Accademia di Pittura Vittorio Viviani, Nova Milanese (MI) |
| Comel Prize Vanna Migliorin, Spazio Comel Arte Contempora |
| Combat Prize, 9th edition, Villa del Presidente, Livorno, curated by Paolo Batoni, Italy |
| La Voce del Corpo, 5th edition, Della gioia e della libertà, curated by Bruno Freddi, City of Osnago, Italy |
| Artrooms Fair Roma, The Church Palace, Rome, curated by Cristina Cellini Antonioni, Chiara Canal e Francesco Fanelli, Italy |
| 2017 | Mixed pickles II, collective exhibition of artists from ten european nations, Hochschule für Bildende Künste, curated by Susanne Greinke, Dresden, Germany |
| Mixed pickles, collective exhibition of artists from eight european nations, Hochschule für Bildende Künste, curated by Susanne Greinke, Dresden, Germany |
| 2016 | Elettricamente, collective exhibition born from the interaction between creative perceptions and electric energy, Museo della Tecnica Elettrica, Pavia, Italy |
| La Voce del Corpo, 4th edition, curated by Bruno Freddi, City of Osnago, Lecco, Italy |
| 2015 | L’invisibile si mostra, collective exhibition with Arnaldo Pomodoro, projects commissioned by Gruppo Bianchi with the employment of NSK materials, National Museum of Science and Technology of Milan, curated by Marco Meneguzzo, Italy |
| 2013 | Arti visive e biomimetica, collective exhibition, Orto Botanico Sperimentale Cascina Rosa, Milan, Italy |
